| Nellie | Gee, Joey -- you promised we'd go out tonight. I ain't been out in over a week. | |
| Joey | Yeah? Well I can't, see? Got a meeting tonight. Business. | |
| Nellie | Oh Joey -- not -- not Brett? There's trouble coming… I can sense it. | |
| Joey | You dames ain't got no sense. | |
| Nellie | I mean it, Joey. He's bad medicine. | |
| Joey | Well I ain't sick, and I don't need no medicine. | |
| (Brett enters carrying a large machine gun. He is dressed in sharpest gangster | ||
| fashion.) | ||
| Brett | Hallo, Joey. | |
| Joey | Well if it ain't the man himself. We got a certain matter to settle, you and me. | |
| Brett | That's right, pal. | |
| (He turns his head to one side and spits. There is a "Ding!" from an invisible | ||
| spittoon.) | ||
| And it's gonna be settled right here... and right now. | ||
| Nellie | Now look, fellers... can't we settle this right friendly? | |
| Brett | Get lost. | |
| (He spits. There is the same "Ding!") | ||
| Nellie | Joey -- | |
| Joey | You heard the man -- get lost. | |
| Nellie | I'm staying! | |
| Brett | Suit yourself. | |
| (He spits again. They all listen, but the "Ding!" comes very late.) | ||
| Brett | Could you move that thing a little closer? | |
| Joey | Quit stalling, Brett. You come to get your dough, right? | |
| Brett | You been holding out on me, Joey. | |
| Joey | Now would I do that? It's here, Brett. Right here in this case. | |
| Brett | It's all here? | |
| Joey | Count it. Here, let me hold your gun. | |
| Brett | (Handing it over) I knew you'd see sense. You're a bright kid, Joey. | |
| Joey | Brighter than you think. | |
| Nellie | Joey! No! | |
| (Joey fires the gun, Brett gasps, staggers and thrashes around in an orgy of ham | ||
| dying. Finally he falls.) | ||
| Brett | You -- you dirty rat! | |
| (He drums his heels and lies still. Nellie approaches him fearfully.) | ||
| Nellie | Is he -- dead? | |
| Joey | He ain't very well. | |
| Nellie | Joey, what have you done? | |
| Joey | He was on his way out, anyhow. Too soft. Now someone smarter'll move in on | |
| his operation. Like me. | ||
| Nellie | You? | |
| Joey | That's right, kid. And if you're smart, you'll stick with me. 'Cos Joey O'Neill's | |
| gonna be a big-shot, see? He's going places… to the top. | ||
| (But he trips over Brett's body and falls flat. Brett sits upright, winded, then | ||
| realises the camera's are still rolling and lies flat again. Joey picks himself up. | ||
| Nellie cries.) | ||
| Herbie | And -- cut! | |
| Nellie | Hey, you got a best friend? | |
| Joey | Sure. Why? | |
| Nellie | Has he ever mentioned your breath? | |
| (They go. Lights down on the film set, up on the office.) | ||
| Herbie | Whatta you say, J.B.? | |
| Susie | Wuz that terrific, or wuz that terrific? | |
| J.B. | It had a certain gut feeling. | |
| Junior | Indigestion. | |
| J.B. | Junior, shut up. What happens next? | |
| Herbie | Nellie can't take it. She's out in the cold, and the music comes up, real sad… | |
| (Brief snatch of sad but tasteless music over the next few lines.) | ||
| Herbie | With Brett gone, Joey's career really takes off. He's tough and ruthless, and in | |
| a hurry. | ||
| Susie | He makes a start by running Brett's fairground rackets, but pretty soon he's muscling | |
| in on the night-clubs too. | ||
| J.B. | Wait! I got it! I got it! | |
| Herbie | Susie, he got it. | |
| Susie | So give him pennicillin. | |
| J.B. | You know what really sells movies? Sex! | |
| Herbie | No kidding? | |
| J.B. | And what does sex mean? Monika Chutzmeyer! | |
| Both | Monika who? | |
| (Monika enters in tight blouse and skirt. She blows a kiss and wiggles over in her | ||
| stiletto's. She folds J.B. in a hug.) | ||
| Monika | Hi, J.B. sweetie. | |
| J.B. | Not here, Monika. | |
| Monika | Anything you say, J.B. | |
| Herbie | "Anything you say, J.B." Who is this dame? | |
| Monika | I'm J.B.'s...like...protege. | |
| Susie | Protege... | |
| J.B. | Yeah, well... we got a major new talent here, right? So you guys better write her | |
| in a good part, understand? No garbage. | ||
| Monika | Yeah, no garbage. | |
| Junior | No garbage. | |
| Monika | Junior... like... shut up? | |
| J.B. | And another thing -- Disaster at Coney Island. Get rid of it. Let's call it -- Death | |
| in the Dark. Okay? | ||
| Herbie | Okay. No garbage, huh? We got just the part for you. | |
| Monika | Wow! I'm gonna be a star! | |
| (The lights fade on the office and go up on the film set. The cast of the next scene | ||
| take their place. They are Sam, the bar tender, Monika and several "flappers", | ||
| all holding drinks, party streamers, cigarette holders, etc.) | ||
| Herbie | The scene is a little speak-easy, not yet under Joey's control. But our hero aims | |
| to change all that... | ||
| (Klatski enters with clapperboard.) | ||
| Klatski | Death in the Dark. Scene twenty, take six! Oww! | |
| (He has shut the board on his finger. He exits, cursing. Klatski will become | ||
| increasingly accident-prone with his clapper-board.) | ||
| Herbie | Music! | |
| (Recorded piano blues.) | ||
| Herbie | And action! | |
| (The cast break into a "spontaneous" babble of conversation. Sam polishes a | ||
| glass. Joey bursts in, waving his machine gun.) | ||
| Joey | Okay, this joint is closed! | |
| (He fires the gun over their heads. Screams and panic. All exit except for Sam and | ||
| Monika, who is trying hard to look nonchalent. Music stops abruptly.) | ||
| Joey | The show's over, folks. Go on home. You the owner? | |
| Sam | Th -- that's right. Sam. Sam Bartelski. | |
| Joey | Gimme a bottle of Bourbon. | |
| Sam | Sure, sure. Coming up. Say, ain't you Joey O'Neill, the big-shot? I heard a lot | |
| about you. | ||
| Joey | You ain't heard nothing yet. You got a nice place here, Sam. Real nice. Too bad | |
| if somp'n should… happen to it. | ||
| Sam | What could happen to it? | |
| Joey | Accidents, Sam. Like maybe it could suddenly -- fall apart. Know what I mean? | |
| You need...insurance. | ||
| Sam | You're from the Prudential? | |
| Joey | Somp'n like that. | |
| Sam | Insurance I got, already. The East Side Mob offered me best terms. All risks, | |
| including the joint spontaneously bursts into flames. | ||
| Joey | Yeah? Well now you got me. I'm taking over the policy. | |
| Sam | But the East Side Mob -- | |
| Joey | They all died. Too bad they weren't insured. But it's gonna cost you Sam. | |
| Sam | And if I can't pay? | |
| Joey | Then this... | |
| (He grabs Sam by the shirt-front, which comes away in his hand. Joey drops | ||
| the shirt-front and sprays it with a burst from his machine gun. He stops, and | ||
| tucks the gun under his arm. It goes off again in a wild clatter. Everyone reacts. | ||
| Joey | Answer your question? | |
| Sam | Yeah, sure. Just come in any time, help yourself. | |
| (Sam turns away and Joey catches sight of Monika.) | ||
| Joey | Hey, maybe you don't hear too good. The joint's closed. Am-scray. | |
| Monika | (Completely awfully.) Yeah but you'll need. Someone to manage. It right for | |
| you. Joey. | ||
| Joey | Managers, I got. | |
| Monika | Not like me, you haven't. I got ideas. I got style. I got scene twenty continued. | |
| Joey | You what? | |
| Monika | I got scene twenty continued. | |
| Joey | No, no, you only learn the dialogue, see? Not the page headings. | |
| Monika | Yeah, well, it's a lousy... like... script. | |
| Joey | Yeah, look -- er -- | |
| Herbie | Keep 'em rolling! Keep going! | |
| Joey | Say, maybe I could use you, at that. | |
| Monika | I mean, like, now I'm a star, I get to approve the script, right, J.B.? | |